Few houses command celebrity allure quite like Dior, and under Jonathan Anderson, that tradition has only gained new momentum. Tonight, the designer presented the maison’s cruise 2027 collection—his hotly anticipated debut cruise offering—under the twinkling lights of Tinseltown, where he pushed Dior’s Hollywood fantasy into overdrive.
Photograph: (Getty Images)
Set against the backdrop of LACMA’s newly opened David Geffen Galleries, Anderson put French savoir-faire in dialogue with the many dimensions of American glamour. The show opened with a triad of semi-sheer drop-waist dresses adorned with rosette embellishments, including a butter-yellow look that Sabrina Carpenter arrived in just minutes before the défilé began. The look that followed solidified a thesis that played out over the collection. Anderson showed an embellished Bar jacket with a frayed hem and sleeves, dressed down with ultra-tattered blue jeans. For a twist, the rips in the denim were stitched together with silver chains to create a trompe l’oeil effect—though at first glance, they could have passed for the jeans of a Venice Beach skater.
Photograph: (Getty Images)
The taut peplum waists of the fall/winter 2026 show gave way to casual robe coats and loose evening dresses awash in a rainbow of bright hues and dynamic textiles. While Anderson has proved himself to be a master of the silhouette at Dior, and before that Loewe, it was the fabric work that really stood out. As the unfastened silhouettes conveyed nonchalance, the photo-worthy finishes were primed for a close-up.
Photograph: (Getty Images)
Accessories continued to be a focal point, with the designer’s unihandle Cigale bag accompanying several looks. House classics were present, too, like the Lady Dior and a newspaper print baguette bag, a callback to the John Galliano era. Glittering ladybug minaudières and Philip Treacy-designed headpieces with phrases like “Dior,” “star,” and “buzz” added to the fun.
Photograph: (Getty Images)
Anderson understands that Dior’s heritage extends far beyond the atelier. In the lead-up to the show, he released a short that referenced To Catch a Thief, the 1955 Alfred Hitchcock classic starring Dior muse and Hollywood icon Grace Kelly. Inside the galleries, a ’60s-era convertible served as the centerpiece of the set as models wove past guests like Jisoo, Anya Taylor-Joy, and Miley Cyrus as if through a Hollywood film scene.
Photograph: (Getty Images)
Photograph: (Getty Images)
It’s a familiar script for the maison. After all, with early adopters like Rita Hayworth and Elizabeth Taylor, few houses can claim a Hollywood lineage as storied as Dior.
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